🔹 Keynote
The Corporeal Life of Seafaring — Dr. Laleh Khalili
(Author of Sinews of War and Trade, Professor of International Politics)
🔹 Panel: Liquid Landscapes of Memory in Film
Where Memory Flows: Rivers as Spaces of Memory in Chile — Struan Gray
It Is Time to Say to the Water, "Disobey” — M. Ty
Nonhuman Memory-Work in the Practice of Martha Atienza — Ian Harvey Claros
Groundlessness: The Sea and the Archive in Vertigo Sea (2015) — Spencer Hurley
Veins of Saltwater: Archipelagic Resistance in the Gulf — Shahriar Khonsari
Six Knots — Ali Vanderkruyk
Flume Study 4: Aesthetics of Turbulent Waves — Avi Varma
The Doggerland Energy Complex — Arieh Frosh & Ed Compson
🔹 Curatorial Talk & Exhibition
Questing Under—and Across—Seas: Zeljko Kujundzic in Scotland — Jelena Sofronijevic
(Travelling Gallery presentation of SEEDLINGS: Diasporic Imaginaries)
🔹 Workshops
Site-Writing for the Moving Image: Thinking with the Clyde and Forth Canals — Maria Howard
What the Water Remembers: Soundscapes and Diasporic Canal Mythologies — Moira Salt
Wet Utopia — Rehydrate — Tea-Chang Meng (online)
Cache — Xiyao Chen (online)
🔹 Artistic Practice-Led Presentations: Watery Methods
Vessels of Passage: Remembering the Derry Boat and Irish Migration — Rachael Ryder
Curating Currents: Circular Exhibitions (2023) — Bengü Gün
Conjuring the Ocean: Archival Methods Meet Art Practice — Christina Peake
Fluid Borders — Emily Beaney
My Wits or Salts — Bryony Gillard
90 Miles — Rosa Prosser
East German Queerness and the Sea as Hydrokinetic Motif — Matt Parry
Modern Water — Harriet Crisp
🔹 FieldARTS Presentations
Dual Use and Critical Hydro-Imaginaries along the Clyde — Fred Carter
Fascism and the Deep: The Submerged Image — Ifor Duncan & Sonia Levy
🔹 Submerged Cinemas: River as Method Film Event
CCA Theatre, 18:30–20:30
Films by Sonia Levy, Ifor Duncan, and Hope Pearl Strickland
Discussion moderated by Fred Carter